tailler la pipe à qqn - ορισμός. Τι είναι το tailler la pipe à qqn
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Τι (ποιος) είναι tailler la pipe à qqn - ορισμός

PAINTING BY RENÉ MAGRITTE DEPICTING A SMOKING PIPE
This is not a pipe; Ceci n'est pas une pipe; Ceci n'est pas un pipe; Treachery of Images; La trahison des images; The Treachery Of Images; The Betrayal of Images; Ces Ne Pas Une Pipe; This Is Not a Pipe; The Perfidy of Images; The Treachery Of Image; Treachery Of Image; The Treason of Images; Treason of Images; La Trahison des Images; Ceci n'est pas une pipe.; This is not a pipe.; This is a pipe; Ceci n’est pas une pipe; Ceci n’est pas un pipe; La Trahison des images; Not a pipe; Magritte's pipe; Ceci n'est pas une

À la suite         
  • [[Field marshal]] [[August von Mackensen]] wearing à la suite the uniform of the 1st Life Hussars Regiment of the [[Prussian Army]].
HONORIFIC OFFICER APPOINTMENT IN GERMAN ARMIES
General à la Suite; A la suite; À la Suite
À la suite (, in the entourage [of]) was a military title given to those who were allotted to the army or a particular unit for honour's sake,BROCKHAUS, Die Enzyklopädie in 24 Bänden (1796–2001), A-AP Band 1: , p. 316, definition: à la suit and entitled to wear a regimental uniform but otherwise had no official position.
À la poupée         
  • The whole print]].  There is also a light black or grey wash, seen on Psyche's hair.</ref>
  • [[Mary Cassatt]], ''The Fitting'', 1890, [[drypoint]] and [[aquatint]], inked à la poupée by the artist herself.
  • [[Elisha Kirkall]], ''Heroic Stormy Landscape'', [[mezzotint]] and [[etching]] printed à la poupée in two colours, after [[Jan van Huysum]], 1724
MAKING COLOUR PRINTS WITH BALLS OF CLOTH
A la poupee; A la poupée; À la poupeé
À la poupée is a largely historic intaglio printmaking technique for making colour prints by applying different ink colours to a single printing plate using ball-shaped wads of cloth, one for each colour. The paper has just one run through the press, but the inking needs to be carefully re-done after each impression is printed.
a la carte         
WIKIMEDIA DISAMBIGUATION PAGE
A la Carte; A La Carte (album); A la carte (disambiguation); A la Carte (album); A La Carte
[?: l?:'k?:t, a la]
¦ adjective (of a menu) listing food that can be ordered as separate items, rather than part of a set meal.
Origin
C19: Fr., lit. 'according to the (menu) card'.

Βικιπαίδεια

The Treachery of Images

The Treachery of Images (French: La Trahison des Images) is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as This Is Not a Pipe and The Wind and the Song. Magritte painted it when he was 30 years old. It is on display at the Los Angeles County Museum of Art.

The painting shows an image of a pipe. Below it, Magritte painted, "Ceci n'est pas une pipe", French for "This is not a pipe".

The famous pipe. How people reproached me for it! And yet, could you stuff my pipe? No, it's just a representation, is it not? So if I had written on my picture "This is a pipe", I'd have been lying!

The theme of pipes with the text "Ceci n'est pas une pipe" is extended in Les Mots et Les Images, La Clé des Songes, Ceci n'est pas une pipe (L'air et la chanson), The Tune and Also the Words, Ceci n’est pas une pomme, and Les Deux Mystères.

The painting is sometimes given as an example of meta message conveyed by paralanguage, like the Alfred Korzybski's "The word is not the thing" and "The map is not the territory", as well as Denis Diderot's This is not a story.

On December 15, 1929, Paul Éluard and André Breton published an essay about poetry in La Révolution surréaliste (The Surrealist Revolution) as a reaction to the publication by poet Paul Valéry "Notes sur la poésie" in Les Nouvelles littéraires of September 28, 1929. When Valéry wrote "Poetry is a survival", Breton and Éluard made fun of it and wrote "Poetry is a pipe", as a reference to Magritte's painting.

In the same edition of La Révolution surréaliste, Magritte published "Les mots et les images" (his founding text which illustrated where words play with images), his answer to the survey on love, and Je ne vois pas la [femme] cachée dans la forêt, a painting tableau surrounded by photos of sixteen surrealists with their eyes closed, including Magritte himself.